Video production was managed across two main stages at Vieilles Charrues
music festival from a hub based on ATEM 2 M/E Production Studio 4K switchers
and a Compact Videohub router.
R&S DVS CLIPSTER now supports the DPP standard format AS-11. It
has a new watermarking function that traces global screening circulation
and generates IMF packages up to 4K.
Animal Logic Entertainment and Simon Cowell’s Syco Entertainment have
announced plans to develop and produce Betty Boop’s first feature-length film.
Gorilla Group post centrally manages a StorageDNA DNA Evolution system
from its Cardiff HQ with systems at two other locations to speed up their
file-based archive-restore process.
Windmill Lane post in Dublin has recently overhauled its colour grading
department, updating its FilmLight infrastructure. Much of its work is originated,
and often delivered, in 4K resolution.
Teleradio Padre Pio uses VideoFlow's video delivery over Internet to replace
satellite backup for its fibre connection - without breaks in transmission or
change of quality.
Ncam tracking system simultaneously records a camera’s position and orientation
in real-time. Live composites of the real set with VFX are inserted into the
viewfinder to help visualise shots.
Roberts Communications Network, among the world’s largest simulcast
racing networks, employs Elemental video processing for OTT TV, IPTV
and desktop/mobile streaming video.
Cogswell College marks the first year of its MediaWorks project-based
learning initiative. Students have developed nine corporate communications
video projects for real-world clients.
Rising Sun Pictures in Adelaide created VFX and digital environments
for a new TV mini series about five nurses from Australia and NZ who
served with the Allied forces during World War I.
Ericsson and MediaLinks will receive Technology & Engineering Emmy
Awards for their developments in Standardization and Productization of
A partnership with Cinnafilm builds out the Dalet AmberFin (AT)3 platform
with high-performance motion compensation to create domestic, web and
international versions of video.
Agence France-Presse and Valota digital signage content-as-a-service
share an agreement in which Valota delivers AFP’s real-time news content
to digital signage screens around the world.
The NVIDIA Visual Computing Appliance, now shipping, accelerates ray
tracing for interaction with 3D models of high enough visual fidelity to
eliminate the need for 3D physical prototypes.
DP Kent Marcus has shot crime drama ‘Burns Point’ on the Sony F5, taking
advantage of its light weight and high sensitivity to optimise the crew and kit,
while preserving image quality.
Thinkbox Deadline 7, now in beta, has major architectural changes and
system upgrades including a new Qt GUI designer interface, an updated
MongoDB database and ftrack support.
Shotgun have developed their review and asset management tools to include
a mobile app, Shotgun Desktop for custom project UI development, and
integration in The Foundry's MARI 3D.
The Weather Channel has deployed an ingest, playout and transcoding
system from Harmonic to support the network's regionalised content
acquisition management system.
The Look post facility has launched a remote grading service out of
their studio in London, direct to production companies from three new
DaVinci Resolve DI suites.